Nefarious, the real Emperor Nefarious showed up and took the Dimensionator for himself.
Nefarious, who stole the new Dimensionator and the Phase Quartz that Rivet and Clank acquired. After Kit shared her story, Ratchet offered to keep working with her to save the dimensions, and she accepted.Īfter building the new Dimensionator at Kedaro Station on Cordelion, they met with Rivet and Clank at Zurkie's, but they walked into a trap set by Dr. To stop Nefarious' forces for good, Kit transformed into her warbot mode and destroyed them, nearly harming Ratchet in the process. Together, they freed the captured monks and retrieved the Dimensionator's blueprints from the Archives, and Ratchet gave KT-7461 the nickname "Kit". When Ratchet offered to team up with her to stop the attack and save the Archives and its monks, KT-7461 was initially reluctant, believing she did not make a good partner, but she eventually agreed. KT-7461 met Ratchet when he arrived on Savali to build a new Dimensionator, in the middle of an attack by Emperor Nefarious' forces on the Archives. At some point, KT-7461 became the apprentice of Cosmic Prophet Gary and the overseer of the Interdimensional Archives. She exiled herself to planet Savali to avoid hurting anyone else. Upon realizing what she did, she discovered what being a weapon to the Emperor truly meant and fled her role in great shame. One day during a patrol, she saw a rebel sneaking into Nefarious' tower and attacked them, blasting one of their arms off. The Emperor himself praised her as being his greatest weapon a remark she took pride in. She was created by the Nefarious Empire to be a powerful weapon and protect Nefarious Tower from any threats. When a fan questioned if there's canonical truth in Rivet being trans given she has a tail, Maggs responded that she loved the theory but hadn't initially thought of it.KT-7461 was originally a warbot, similar to how Clank, created for Emperor Nefarious' army but unlike her primary counterpart, KT-7461 was not a defect, making her similar to Klunk. She credits 3D character artist Xavier Coelho-Kostolny and senior technical artist Sol Brennan for ensuring Rivet "got jacked as hell". "At one point my CD yelled at me in front of the whole office because I kept saying 'Lombax Tiddies' very loudly in the office whenever anyone would bring up Rivet's design and it Made People Uncomfortable," she said. Maggs also fought over the character's design, including removing makeup and breasts. Maggs has given additional information on the character too, including that Rivet is canonically a lesbian, despite not having a relationship in the game. It’s a team effort, but at the end of the day, as Lead Writer, naming her was my job and my responsibility-and I was brought on to this project specifically to be a voice for the players who needed a Rivet in their lives- Sam Maggs MaTo see this content please enable targeting cookies.
That’s why being cut out of the conversation hurts so much. It's a team effort, but at the end of the day, as lead writer, naming her was my job and my responsibility - and I was brought on to this project specifically to be a voice for the players who needed a Rivet in their lives."
"That's why being cut out of the conversation hurts so much. This is how the best level design happens too! "I come up with these guidelines, we shoot around ideas that fit within that box, I assemble a short list, we vote on names - TOGETHER. "I just want to stress, as I did in my other thread, that none of this works without the team," said Maggs on Twitter. This led to her shortlist of names, including Hammer, Socket, and Gadget - the latter of which was already taken by other known characters.Įventually the team settled on the name Rivet from her shortlist, a name that has since been attributed to Insomniac programmer David Kim.
I’m not even credited as a writer on this game despite dedicating a year and a half of my life to it and creating Rivet’s personality from scratch.- Sam Maggs MaTo see this content please enable targeting cookies. This speaks to a broader issue of game devs being entirely erased from the narrative of their own work once they leave a studio.
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